Sunday, December 16, 2012

26th INTERNATIONAL EXHIBITION ON ANIMALS IN ART CALL FOR ENTRIES

Here is another excellent juried exhibition opportunity sponsored by the Louisiana State University School of Veterinary Medicine. Besides a $1,000 prize for best in show, as well as other prize money offered, the added perk of this show is that one entry will be chosen to appear on the cover of the Journal of the American Veterinary Medical Association. All media are accepted and must be priced for sale, with an extremely modest 20% commission taken on any sales. All animal subjects are eligible, include fish and insects. Entry fee is $15 for each piece and images are initially submitted digitally for jury.

The show website has posted images of artwork and category winners from past exhibitions. Although each juror is different, it is always valuable to review past winners to get an idea of the level of quality generally seen in each show. More information and the show prospectus are available at www.vetmed.lsu.edu



Monday, December 10, 2012

ENTERING ONLINE ART COMPETITIONS

German Wirehaired Pointer
Copyright 2012. Anne M. Hier
All Rights Reserved
If you want to showcase your artwork, various web and social media sites now give artists plenty of opportunity to do so. In many cases, the networking is great. You can see and compare your work to that of your colleagues and sometimes win prizes for your efforts. But, keep in mind, there are many types of art competitions online. You need to be aware of both the advantages and pitfalls.

One of the reasons for offering a competition is to build traffic to a particular site. Many legitimate art organizations or artist's websites have ongoing competitions for various media and subject matter. They may offer a nominal prize and charge no entry fee. Generally, the only requirement is that you enter your work in a particular digital format. However, the real goal is to have you either register or “like” the particular site. If the site offers you value in terms of networking opportunities with other artists, or the website provides interesting information, then there certainly is no harm in entering. However, even if you win whatever prize is offered, these types of exhibitions are usually not something you would add to your exhibition resume.

Other groups actually offer ongoing online juried art competitions and may or may not charge an entry fee. The advantage of these competitions is that they are juried, at least for the prizes offered. The advantage to the organization is they do not have any expenses to actually mount an art exhibition for the public in a brick-and-mortar building. Correspondingly, you do not have the expense of shipping your work for exhibition. However, you may not necessarily be exposing your artwork to a broader range of the general public that would be interested in either buying your artwork or commissioning a piece from you. And, there is a big caveat for these types of competitions – read the rules before you enter.

I peruse the internet for upcoming art competitions, particularly those that deal with animals as subject matter. At this time, there is one competition that I recommend no one enter, the Pets of the Homeless National Photo Contest, created by an organization called, Pets of the Homeless. This organization raises money to help feed and provide veterinary care for those animals owned by homeless people. There is no entry fee, the organization will post the images on its Facebook page, and it offers a first prize of $500. So, what's the problem? It's all in the fine print.

I have never entered a legitimate art competition in which I was required to relinquish my copyright, arguably, the most important part of a successful work of art. Not so with this competition. In part, the rules state, “[b]y uploading your Submission, in addition to rights granted below, you...hereby waive any so-called moral (e.g., creative rights) in your Submission.”

When the US signed onto the Berne Convention, visual artists gained moral rights protection that was then codified into our copyright laws under the Visual Artists Rights Act (VARA). In our country, these moral rights protect two things, integrity of the piece and attribution. VARA protects 2-dimensional original art but not prints unless they are signed and in editions of 200 or less. However, it is unclear if VARA protects any forms of digital art as protection is given to fixed works or art. You cannot sell or transfer your moral rights but you can waive them at the time of commission or sale. For example, if you are creating a work-for-hire piece you are waiving your rights to be credited as the creator of the artwork. Also, if a work is specifically commissioned moral rights can also be waived. It is a bit of a stretch to think that setting up the parameters for an art competition is a “commission,” but it certainly does not legally qualify as a work-for-hire. So what does this mean to you? Quite simply, it means that this “competition” is a rights grab for the sole benefit of the host organization. Rather than pay the going rate for potential advertising and promotional products, Pets for the Homeless has dressed it up as an “art competition.”

This fact is confirmed by the inclusion of a statement that the artist will be granting a non-exclusive license to the organization: “By uploading a Submission, entrant grants to 'Pets of the Homeless' (and “Pets of the Homeless” licensees and assigns) a royalty-free, irrevocable, perpetual, non-exclusive license to use, reproduce, modify, publish, create derivative works from, and display such Submissions in whole or in part, and otherwise exploit the Submission in all media now known or hereafter devised, throughout the known universe, in any way 'Pets of the Homeless' sees fit including, but not limited to, entertainment, instruction/education, promotional, advertising and/or marketing purposes.”

Further, “[i]n connection with all rights granted herein, 'Pets of the Homeless' (and 'Pets of the Homeless' licensees and assigns) shall also have the irrevocable right to incorporate Submissions, in whole or in part, into other works, in any form, media or technology now known or hereafter developed.”

I particularly like this sentence in the rules, “[i]f necessary, entrant will sign any necessary documentation that may be required for 'Pets of the Homeless' or its designees to make use of the non-exclusive rights entrant is granting to use the Submission.” This legalese is necessary because of US Supreme Court case law that held electronic rights are separate from traditional print rights and must be negotiated. They are not granted automatically with boilerplate statements in the rules.

A non-exclusive rights contract means that if you produced a successful item of art you could continue to market it in derivative form yourself but you could be competing – into perpetuity - with numerous other entities manipulating, changing, and marketing your work with no input from you. This is a great way to always remain a starving artist as you will receive no remuneration for this use. And with the waiver of your moral rights, your name wouldn't even be on the work you created. This seems an intolerably high price to pay just to enter an online art “competition.”

Wednesday, December 5, 2012

27TH ANNUAL ART SHOW AT THE DOG SHOW CALL FOR ENTRIES



The prospectus is now available for the 27th Annual Art Show at the Dog Show.  Art shows dedicated to animals are few and far between.  This juried show is one of the best, in my opinion.  I entered and won some prizes at the very first show - way back when -  and have entered several times since.  I also had the privilege of serving as a juror one year.  This show is held in conjunction with the Sunflower Cluster Dog Shows in Wichita, KS.  Before the exhibition at the dog shows the entries are split and exhibited at the Foyer Gallery and City Arts Building in Wichita.

Entries are due by January 9, 2013 and must be submitted digitally on CD.  All works exhibited must be priced and for sale.  Commission taken on all sales is a very reasonable 30% and there are prizes offered first through fourth in all categories as well as numerous other money prizes for representations of different specific breeds.  All entries in this show must depict purebred dogs. This is a juried show. Entry fee is $40 for up to 4 entries.  Images of last year's winners are also posted at the site.

Monday, December 3, 2012

UTILIZING TESTIMONIALS

AFGHAN & CORGI PORTRAITS
Copyright 2012. Anne M. Hier
All Rights Reserved

When potential clients visit your website or blog they are not just looking at your portfolio. They need to know they can depend on you to deliver quality work that accurately portrays their pets. As you build your website or blog, be sure to include a few testimonials from satisfied customers. I never solicit these but certainly love to receive them. You should consider testimonials an important marketing tool. Satisfied customers mean a lot, especially to others who are making the decision to hire you. You may think your clientele is interested in your work - they are. But they also want to know they can trust you. Testimonials help build that trust.

Practically all of your customers are hopefully going to acknowledge that they received the portraits and that they are thrilled with your work. Some will send you follow-up pictures of the work framed and in their home. These types of images can provide a real personal touch to your site.

There are two schools of thought on adding testimonials. The first is to go for quantity – listing numerous short quotes to indicate that the artist has completed a significant amount of work. The second method, which I prefer, is to list longer quotes that are quite descriptive and go beyond “Thank you so much for the beautiful portrait of Shep.” Actually, you can probably incorporate a mixture of both on your site. Periodically update these statements to ensure that the majority of your testimonials are current and not all several years old.

One more thing – unless you specifically ask permission, do not list the client's last name, email address, or other identifying information. I usually list the first name and an initial for the last name. If you have done portrait work for a celebrity you may publicly disclose this part of your client list, “Portrait Commissioned by (celebrity's name)." However, do not publish quotes about your work from the celebrity unless you first ask and get written permission to do so. This is because celebrities have a right of publicity to present themselves to the public in a specific manner that they control.

If you would like to read the testimonial for the commissioned portraits pictured above please go my Anne Hier Studio blog.